 | Rob Fowler Crystal Boot winner successes always comes as the result of hard work and dedication. Rob teaches privately and is in constant demand on the increasingly busy weekend Line dance circuit. Rob Fowler is a pioneer of modern Line dancing. His style, though initially rooted in Western dance, has expanded to include music of almost every genre from Big Band to Pop. His choreography has pushed back the boundaries in Line dancing and his dances have led the way, from Beethoven's Boogie, Live Laugh Love, Deeply Completely, Amazing Faith, his legend dance 'The Beast'! also Greats like 'Stop It' performed by Rick Guard, SXE by Liberty X and his current hits 'Mo Jo Rhythm', Bullet Proof by 'a Roux' and now another new dance not to be missed 'Tik Tok Don't Stop' & 'Get on Down'.http://www.fowlerdancepromotions.com/
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Maggie Gallagher Maggie has seen a large number of her own choreographed line dances hit the "Line Dance Charts", with dances "Just a Memory", "Hot Love" and Na Mara" all huge smash hits, still filling the floor at most socials in the UK and abroad. Her mammoth, award winning 2001 dance "Mony Mony" was the first ever line dance to enter the charts at No 1. Maggie was honoured with being voted by Linedancer Magazine readers "Female Linedance Personality of the Year" 1999, 2000 and 2001 and was totally thrilled to also collect "Crytstal Boots" for "Beginner Dance Of The Year " (Just A Memory), "Choreographer Of The Year", "Overall Dance Of The Year" (Mony Mony), and also "Instructor Of The Year" in 2002. An amazing 5 Crystal Boots! |  |
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I Live in Nottingham, in fact I was born in Nottingham, although I lived in Italy on the edge of beautiful Lake Como for a few years when I was younger.Dance has always been an important part of my life, being sent to the local ballet school by my mother at the age of 5, where I learnt ballet, tap, modern,jazz and character dancing. There were 4 classes a week and the teaching was very strict but the discipline has stood me in good stead!My love for dancing really developed during my disco years where my friends would have to drag me off the dance floor to go home. When line dancing became popular over here I thought Yep! - that's for me, no more ballet tutus but jeans and cowboy boots and dancing in a social atmosphere. After a few sessions I was approached by a local dance organisation and asked if I would like to train as a teacher. This sounded good to me. From that point I have never stopped learning and enjoying sharing new dance information, music and styles with others, a feature that unites line dancers where ever they may be in the world.
Rachael Louise McEnaney
A dancer since the age of four, and with a family background of Ballroom and Latin Champions, Rachael, through her love of dance discovered and trains in many different forms of dance which to date include ballet, tap, modern, jazz, disco, ballroom, latin, salsa, west coast swing, hip hop, and of course Line Dancing. She began teaching line dance in York, England at the young age of 15.
With an ambition to dance and travel, she began competing with her first competition at the UCWDC European Championships in April 1999 returning the following year as a Superstar. Having won many British and European titles she also took home a Double World title from UCWDC Worlds 2000 as the Grand Classic and Showcase Line Dance Champion and was the first European female to qualify for the Superstar Division which is the highest competitive level in UCWDC Line Dance, she returned from UCWDC Worlds 2001 in Edmonton, Alberta Canada as the Female Superstar World Champion, a most memorable event.
Studying Sport and Languages, she finished college in June 1999 with 10 GCSEs and A-Levels in French, German and Sport Studies. However following her competitive success and her passion for dance she decided to make it her career and has since travelled internationally teaching workshops, demonstrating, coaching and competing.
Since her career began in line dance she has won many awards around the world for her instruction and choreography.
